World AIDS Day, December 1


World AIDS Day 2011, December 1

World AIDS Day 2011, December 1

On World AIDS Day, we remember those who have lost their lives to AIDS, and we recommit ourselves to fighting and preventing HIV/AIDS and to comforting those infected and their loved ones. This year, the United States has established a theme of “Leading with Science, Uniting for Action” and the United Nations has established its own theme: “It Takes a Village.”

President Obama will speak today in Washington at an event hosted by the ONE Campaign and (RED), joining former President George W. Bush and others who have been so critical in the worldwide fight against AIDS.  The event is called “The Beginning of the End of AIDS.”

On November 8, 2011, Secretary Clinton announced that creating an AIDS-free generation is a policy priority for the United States.

The fight against AIDS began three decades ago in June 1981. American scientists reported the first evidence of a mysterious new disease. It was killing young men by leaving them vulnerable to rare forms of pneumonia, cancer, and other health problems. Now, at first, doctors knew virtually nothing about this disease. Today, all those years later, we know a great deal.

AIDS has killed 30 million people around the world, and 34 million are living with HIV today. In Sub-Saharan Africa—where 60 percent of the people with HIV are women and girls—it left a generation of children to grow up without mothers and fathers or teachers. In some communities, the only growth industry was the funeral business.
For now, AIDS is still an incurable disease, but it no longer has to be a death sentence.

Counselor for Press and Cultural Affairs Marjut Robinson


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Amethysts and ‘Sustainable’ Mining


We had a fascinating trip last spring and Pera Tuottaja of Lapland Memories has made a visual story of the trip on YouTube:

Mr. Timo Seppälä had invited us to visit the Arctic Amethyst Mine, Europe’s only active amethyst mine. It is located on the rocky flat gray top of the Pyhä Luosto’s Lampivaara fell in the middle of one of Finland’s old growth forests.

Timo Seppala of Arctic Amethyst Mine

Timo Seppala of Arctic Amethyst Mine

The weak light of the cool spring day lit up the silvers and baby greens of the forest as we made our way up the fell. The wind up on the mesa whipped around the several kotas that are used as starting points before the descent into the mine. Inside one of them, we sat on reindeer skins to listen to Timo tell stories about amethyst crystals, their mythology and their potential power. He is a wonderful story teller.

One of the best stories was about how the group who owns this mine made a very unconventional decision many years ago. Rather than simply mining out the amethysts as quickly as possible to sell to jewelers around the world, they were inspired by the United Nations’ notion (at the time) of “permanent progress.” They decided that the place itself and the process of digging for the amethysts was such a powerful and somehow magic thing that the product would not be the stones but rather the experience.

In the mine

In the mine

People have now come from all over the world to do what we did. Lit by small lanterns powered by the sun, we descended a long wooden staircase into the mine, passing some areas that had been worked and others where the crystals glinted dully from the walls. We came to a flat place where a small hole had been started and Timo and Operations Director Tuija Sandberg simply handed us small pick axes and smiled.

Arctic Amethyst Mine entrance

Arctic Amethyst Mine entrance

Ambassador was immediately in his element and was soon pretty well covered in mud, carefully opening up the earth and looking at the pale striped and purpled stones as they were revealed. We rinsed the ones that looked most interesting and studied the colors and clarity against the pale May sky. Every visitor to the mine is invited to find the stone that speaks to them and we went through many before making our choice. Mine is still with me.

Old Growth Forest outside the Mine

Old Growth Forest outside the Mine

Afterwards, Olli Härkonen of the Board and Henna Koskinen, the Marketing Manager, made us a delicious lunch in another kota with salmon roasted on a birch plank over the open fire and fresh homemade bread seasoned with nettles. I got to explore the old growth forest a bit with Tuija afterwards—lovely old twisted trunks, sculpted by time.

We highly recommend a trip to Luosto—so close to Rovaniemi and Sodankylä. Timo showed us the lovely outdoor amphitheater created in a vale in the woods by sound engineers and musicians who designed the place with the audience’s experience as the priority. The Luosto Classic is fast becoming a legend where the audience is surrounded by the musicians in the old forest beneath the wide Lappish sky.

We plan to return to experience it ourselves one day. We’ll hope to see you there or perhaps digging for translucent amethysts.

Ambassador and Cody Oreck

Cody Douglas Oreck
U. S. Embassy Helsinki


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Why ‘Artisan Foods’? Why are they important to Finland and to the rest of us?


Over the weekend, I attended two workshops: “Artisan Cider and Perry Making” and “Introduction to Cheese Making”. I’ve been talking to Jarmo Åke, head of Slow Foods Helsinki and teacher at Perho Culinary, about offering similar classes in English here in Helsinki. (Only because if they were taught in Finnish, I wouldn’t be able to take them.) But these two short courses were taught at the School of Artisan Foods on the Welbeck Estate in Sherwood Forest, England.

Kitchen Garden

Kitchen Garden

This newish interest in micro-breweries, small-batch cheeses and local food in general may be puzzling to some—particularly here in Finland where companies like Valio have so proudly advanced an agenda of improving food. ‘Better living through chemistry’ has allowed many, many more people to be fed than would have been possible before modern preservation, fertilization and pesticide technology, not to mention genetically modified foods. The economies of scale and abundant hydrocarbons have allowed huge machinery to replace the sweat of the human brow, horse and ox.

But we are learning more and more about the costs of increasing SCALE. At a certain level, accountability is lost. We’ve learned a great deal about that in the U. S. lately. Accountability to shareholders can be very different from accountability to the ecology of an individual field, to a community or to Nature herself.

The Duke of Portland or the heir who owns the Welbeck Estate does not have shareholders to whom he must account, nor any short-term profit he must consider. He has therefore chosen to establish this School of Artisan Foods to attempt to re-educate folks on the older traditions of producing food—the traditions that took hundreds of years to evolve but have been mostly lost in the last two generations. No matter how efficient corporate food production becomes, keeping those small-scale skills alive seems like a good idea.

Whether the pendulum is swinging or not, whether ‘artisan foods’ is a marketing trend or a real move toward lateralizing food production—spreading it among many smaller producers rather than centralizing it in the control of a few big companies—the words of Wendell Berry, third generation Kentucky farmer, come to mind.

  1. Beware the justice of Nature.
  2. Understand that there can be no successful human economy apart from Nature or in defiance of Nature.
  3. Understand that no amount of education can overcome the innate limits of human intelligence and responsibility. We are not smart enough or conscious enough or alert enough to work responsibly on a gigantic scale.
  4. In making things always bigger and more centralized, we make them both more vulnerable in themselves and more dangerous to everything else. Learn, therefore, to prefer small-scale elegance and generosity to large-scale greed, crudity, and glamour.
  5. Make a home. Help to make a community. Be loyal to what you have made.
  6. Put the interest of the community first.
  7. Love your neighbors–not the neighbors you pick out, but the ones you have.
  8. Love this miraculous world that we did not make, that is a gift to us.
  9. As far as you are able make your lives dependent upon your local place, neighborhood, and household–which thrive by care and generosity–and independent of the industrial economy, which thrives by damage.
  10. Find work, if you can, that does no damage. Enjoy your work. Work well.

Cody Douglas Oreck
U. S. Embassy Helsinki


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Journey to Sipe’s Santaranta


Ambassador and a group of us from the Embassy led by Heidi Day went on a pilgrimage to Santaranta at the invitation of Sipe Santapukki. He turned out to be the most chivalrous host and his vision for this particular corner of paradise quite profound.

From left: Ms. Cody Oreck, Ambassador Bruce J. Oreck and Sipe Santapukki

From left: Ms. Cody Oreck, Ambassador Bruce J. Oreck and Sipe Santapukki

Sipe told us the story in his modest, graceful way. He’d seen photographs of Frank Lloyd Wright’s Falling Water house as a child and dreamed big, as they say. Eventually he found a piece of Finnish woods sloping down to a lake that spoke to him and began a sort of dance to convince Eric Lloyd Wright, the last in the Wright organic architecture lineage, to design a home that would meld and be worthy of the site.

And is it ever. So far only the guest house and the sauna have been constructed to Wright’s design. We were first welcomed into the guest house with a sumptuous reception of local delicacies by Ms. Eila Eerola, a woman after my own heart, whose shop, Heinolan Heila, specializes in local artisan foods.

Sipe then led us on a sort of magical mystery tour. The guest house was lovely, sited to have magnificent views of the lake from the bed and living space, as well as the sauna where a river of smooth stones ran through the floor and tiny LEDs sparkled like stars and rippled like revontuli.

But the sauna house was the stuff that legends are made of. Sipe had found the craftsmen and together they specified the magnificent trees that were carved into a somehow living, breathing creature of a structure. The door to the sauna is simply epic.

It was no wonder to us that Eric Lloyd Wright was persuaded to create his final masterpiece here. Who could say no to Sipe, especially with a vision like this one? We loved every minute of our visit and regretted that we didn’t have time to actually sample that sauna. But Sipe said he might consider letting us come back someday…

Cody Douglas Oreck
U. S. Embassy Helsinki


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A Halloween present from the Kurkki family


Matti and his two daughters, Julia and Sofia, sewed seven pumpkin seeds into their community plot in Vuosaari and watched eleven magnificent pumpkins ripen over the late summer. The Kurkki family spent two years in Tampa, Florida and so are familiar with Halloween and American-style pumpkins—but never expected them to be so big! They came up with the idea of giving the Embassy this glorious 40-pounder with a handmade Happy Halloween card by Sofia.

Ms. Cody Oreck with Kurkki family

Ms. Cody Oreck with Kurkki family

Matti is a Customer Service expert so the thoughtful creativity of the gift makes sense. Besides, someone took one of the pumpkins two nights ago so he figured he’d better use ‘em or lose ‘em. But the delight of hefting the darn thing and seeing the quiet pride in his beautiful girls—well, this gig sure does have its perks.

40-pound Pumpkin

40-pound Pumpkin

Thank you, dear Kurkki family, and I forgot to give you each a jar of our fresh Embassy honey so call me back!

Cody Douglas Oreck
U. S. Embassy Helsinki


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Delicious Slow Food Fiskars


On this brightest bluebird of an October Saturday, I drove through the lush colors to the Slow Food Fiskars Festival where local food producers, chefs and Slow Food members from all over Finland gathered to celebrate the harvest and to get some of that fabulous local bounty for ourselves. I got to hear Jarmo Åke, the visionary head of the new Slow Food Helsinki chapter. He introduced us all to the concepts of Slow Food: good, clean, fair food.

I followed Jarmo’s presentation and talked about Slow Food in the US and in Finland by way of telling the crowd a story—the story of my evolving relationship with growing my own food and with farmers and local food producers and sellers as part of an overall personal commitment to getting things right with our little garden planet. I’m not alone in this commitment in the US. All over the States, exciting things are happening around community gardens, edible school gardens and Community Supported Agriculture (CSAs) for small independent farms who somehow don’t qualify for subsidies. Battles are being waged to try to right the consequences of short-term thinking in agricultural processes as well as transportation and building practices with companies like WalMart and McDonald’s even leading the way.

Telling our story necessarily led to telling them why my husband and I chose to work on Barack Obama’s presidency and why we asked to come to Finland. It is so obvious to me but somehow Finns are always incredulous. We both have a passion for doing what we can to address the imbalance we inadvertently created with all this lovely fossil fuel. That ‘ancient sunlight’ in the form of plants and animals was stored and cooked for millions of years so that we could have this amazing source of cheap, abundant energy. And we have had a merry old time for these last few generations—a wild ride indeed. How could we have known what the effect would be?

But now we do. And Finns who live in this beautiful and ever-so-delicate land of extremes understand the situation better than almost anyone else. This country is also smart enough and technologically savvy enough to actually be able to figure out some solutions, particularly with cross-pollination of ideas, know-how and even investment between our two cultures.

Of course, we asked to come to Finland! And who could have resisted the beauty and pleasure of this extraordinary festival with food celebrities galore and a delicious community Slow Food dinner prepared by four local chefs. The photos simply don’t do the experience justice but I invite everyone to look into involvement with this wonderful Slow Food Movement wherever you are. And aren’t my fellow beekeepers at Mellangård, Camilla and Stefan, just the cutest? (Fabulous honey.) Not to mention my adorable host, Louise Frommond of Sallvik organic lamb farm, whose lamb we proudly serve at the Embassy! And the girls who were so pleased to have me taste the Saskatoon berry from North America…

Of course, we chose Finland. So much to love here.

Cody Douglas Oreck


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Turku, John Malkovich and ‘The Giacomo Variations’


Ambassador Oreck is in DC this week, mid-wifing the new US Embassy Helsinki building project. He is inspiring a great deal of action and enthusiasm both in the government and private sectors. Real progress is being made toward a LEED Platinum renovation of what has been previously called the Annex here on the Embassy grounds in Kaivopuisto. That building will become the INNOVATION CENTER. Plans for the new building are still evolving but the team is planning for LEED Gold certification and many cutting edge technologies are being considered for both. Exciting stuff.

In the meantime, the City of Turku and the Turku Music Festival had invited us to attend ‘The Giacomo Variations’ which I did to my great delight. I have frankly never experienced anything like it. I don’t want to give anything away but I can tell you that I went from bewilderment and even worry through hilarity and lyrical sensuous pleasure and finally to being profoundly touched. What could be better?

John Malkovich has been working with this very international group of visionary artists, musicians and writers for several years now. Michael Sturminger wrote and directed the play about the final chapter in the life of Giacomo Casanova, weaving in parts of Mozart’s operas with their original lyrics by Da Ponte. It is a brilliant synthesis of art forms—so dazzling, in fact, that when the sheer humanness of the experience hit, it almost took my breath away.

From left: Topi Lehtipuu, Michael Sturminger, John Malkovich and Cody Oreck

From left: Topi Lehtipuu, Michael Sturminger, John Malkovich and Cody Oreck

Malkovich, that devil of a chameleon, disappeared yet again into Casanova as an old man who is convincingly fragile and sexy at the same time. Don’t know how he does it. Hadn’t seen him in tights since ‘Dangerous Liaisons’ and that eighteenth-century gig actually works for him. He was very gracious when I teased him about it after the show. And wait til you hear him sing. . .

Sophie Klußmann is delicious, the costumes and the set gorgeous, the whole production pretty darn spectacular. It is about love and sex and time, about the nature of our love for others as well as our love for ourselves. We were ‘provoked’ in more ways than one. I think the Turku Music Festival should be honored for bringing it to Finland.

They would love to tour the U. S. with it so spread the word! More information here.

Cody Douglas Oreck


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Åland’s Visionary Hero and His Windmills


Dear All, 

Henrik Linqvist looks like a giant boy. With crinkly eyes and a ready laugh, his sandy mop of hair looks like Daryl Hannah’s crazy do in ‘Blade Runner.’ He’s apparently about 6’6” when his hair is wet. All bets are off when it’s not.
 
He’s devoted his life to harnessing the power of wind in the Åland Islands. But we learned that slowly. Here on Åland only Swedish is spoken (Henrik’s English is fluent) and Swedish-speaking Finns are said to be more gregarious—stories still develop slowly—only as one asks.
 
Roger Norlund, his charming wife Gunila, Bruce and I climbed aboard Henrik’s small powerful boat and set off, bouncing jauntily on the mild chop. After about 20 minutes, we could see the Båtskär wind turbines. They seemed to float. 

Approaching Båtskär

We landed on a somewhat mysterious island. A strange concrete tower had become only a home for hundreds of birds. Dwarfed beside the graceful turbine, it was once part of an iron-mining scheme with tunnels out under the water.
 
But how clever was Henrik? With the help of his ‘mentors’—don’t you love it when people honor mentors?—he’d found that this small group of islands had the best wind profile AND was an adaptive re-use. The failed mining operation and old ship pilots’ house removed the defense of ‘unspoiled nature.’
 
Nevertheless, Henrik and Roger (who is Speaker of the Åland Parliament) fought for SIX YEARS to get the first turbine up. Its base gradated in shades of blue like the water around it, the immense sculpture spins silently before us. Every several minutes or when needed, it whirs softly as it adjusts to the wind’s direction. Phenomenal and beautiful. 

Geared up for the climb

Bruce and Roger gear up for the climb and light out. (I have stupidly worn a skirt and the harness looks less than comfy.) Henrik, Gunila and I poke around among the wildflowers,study the lichen-covered stone marker of some Swedish king in the 1700’s and other relics. The pilot house might make an exotic inn for the summer months—six bedrooms and a sauna (of course) but winter and distance say no. Gunila and I shake our heads sadly.

Introducing Trefanten

A bird-counting biologist and his son are doing the annual summer check,staying overnight in the house. He reports that of the several hundreds that nest on this island, between one and three birds per year are injured by the six turbines and notes wryly that more than 20 fly every season into the windows of his summer cottage not far away. 

Henrik has named the six turbines after old sailing ships. They are each 2.3 megawatt capacity and producing an average of 7500 MWh per year. According to Henrik, “7500 MWh is equal to 300 households with direct electrical heating, 580 households with heatpump (like my household) or 1250 households with oil heating here in Åland.” That’s per turbine! In addition,an American firm (Intertek) is testing a small Chinese turbine on the island.

View from Trefanten

As we speed away, Henrik points out a pre-fab hut perched precariously on the rocks of an island some kilometers away. He explains casually that a neighbor built the house in order to resist the wind project. I turn and realize that the hut’s one small window is squared against the now tiny mills on the horizon. The silhouette of the abandoned mining tower absorbs the light.

Rodham Boathouse restaurant kitchen

Lunch on the lovely island of Rodhamn was home-cooked by a young family who come every summer to open the boathouse as a restaurant.  Henrik shows us a photo of his grandmother, another mentor, who summered alone on a adjacent island, hauling her own water into her eighties. I’m intrigued by the tradition of rock labyrinths constructed by sailors marking time until the weather opened the sea.

Henrik’s company provides almost 24% of the electricity in the Åland Islands with 21 turbines and is turning an excellent profit. He has many more plans.
 
A visionary businessman makes for a helluva good hero, don’t you think?

Henrik Lindqvist, Gunilla and Roger Norlund, Ambassador Oreck and Turbines

 
Cody Douglas Oreck


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No Man is an Island – A Letter from Utö


Dear friends and family,

We’re on a ferry plying calm water between myriad islands in the famed Finnish archipelago, the largest in the world.  In July, it’s the stuff that dreams are made of.  Some are just barren rocks barely clearing the waves.  Others are lush oases of forests dotted with red cottages and edged with spectacular granite faces and secluded swimming holes.  Many Finns have their own islands.

At each port of call, a few people have gathered to greet arriving guests or receive supplies.  I watched one old woman load a wheelbarrow with groceries and then make her way slowly along the shore path, wearing only bathing suit and a pair of pink rubber boots.  Everywhere gulls and seabirds wheeled and called and dove for fish.

As we finally approached the outermost island of Utö, a small tow-headed boy jumped up and down at the railing beside me, softly chanting “Utö! Utö! Utö!” in the front of his mouth with bow lips pursed.  It means something like ‘outer’ but it sounded really exotic.

Four people waited for us on the dock, smiling.  The mayor of the municipality of Väståboland which includes Utö, Folke Öhman and his wife had traveled from another island to greet us.  Susanna Sjöman, friend of a Loviisa friend (whose thesis was on Garrison Keillor), presented me with a gracefully profuse nosegay of colorful wildflowers.  Hanna Kovanen who grew up on the rocky outpost and has chosen to make a stand there year round, grabbed our bags with strong tanned arms, threw them into a small tractor and said she’d meet us at the hotel.

Over the course of the long twilight (the sun only set for a couple of hours) and early morning, we learned a great deal.  And we’re still reflecting on the experience.

Utö has been inhabited on and off since the sixteenth century—a gateway to Finland under Swedish kings, Russian tsars and coveted by Germans and Soviets for its strategic military position.  We stayed in former Finnish defense barracks, now the Utö Havshotel, and had an astonishingly delicious meal there with funny, wise and gracious Folke as our host.

Hanna was our guide but in a way she was like a shaman weaving a spell.  Strolling the island with her after dinner, we greeted her dad in a strange floppy hat to protect him from the midnight sun.  He is a fisherman in his eighties and was, yes, mending his nets.  We visited Binusas, the house of Gunnevi Bergbom, and heard her stories, saw generations of handwork, including a sort of archipelago lace based on fishnet knotting and a nap pillow that translated from the Swedish as something like:  “I’ll just take five winks.”

In the stone church, Hanna began to tell us of the many shipwrecks.  We climbed the old red-and-white lighthouse, rebuilt in 1814 after a war, slowing our hearts down in the only chapel in a lighthouse in the world—lofty but darkening in the gold-colored late light.  The giant lens in the very top was a marvel to behold, crystalline geometry to magnify and maximize coal fire, then candles and now a bulb for the ship pilots.  If they were trapped early by ice, they would spend the winter in Utö and an old pilot had once recalled that a merchant ship with a cargo of iron bound for Turku had wintered there in the early 1800s.  Desperate for the goods, the iron factory sent a sled pulled by 80 horses over the frozen sea to fetch the cargo of the ship.  “I was only a few years old, but cannot forget the sight.”  80 HP in action—no wonder.

As late as 1994 an Estonian ferry sank with 989 aboard.  Utö inhabitants rescued 137 in the middle of that September night.  The mighty sea claimed 852 lives.  But we had coffee and rhubarb pie with Hanna’s mom who more vividly recalled the sinking of the American ship, Park Victory, Christmas Eve in 1947.  She told us the story in Swedish (while Hanna translated) of a preternaturally beautiful night with bright starshine from an odd dark blue sky on new snow and the sea like a mirror.  Her mom had pointed to a wall of ominous clouds to the southwest and warned, “Nothing good will come from that.”

Indeed by the time they woke early for services on Christmas, a furious storm had piled snow so deep that they had to dig out their door.  Mother and daughter made their way almost blindly toward the church when they began to see tracks of barefooted people.  With growing dread, they came upon men, some dead, some naked and all freezing and in shock.  The fishermen of the village were dragging as many as they could from the freezing waters, leaving them for others to tend.

Hanna’s grandmother and mother saved three.  One of the Americans was black.  Here the woman began to sob and we looked at Hanna for understanding.  The black man told them over the meager Christmas soup they shared that he had never sat at a table with white people in his life.  After more than 50 years, his words and his gratitude still broke her heart.

The ferries that connect the islands are free of charge unless one travels with a car.  Folke had discussed the great expense of providing services to these remote outposts.  On some of them we’d noticed placards that all began:  “Rakas Markus . . .”  Dear Markus.  As we left, Hanna explained.

An American artist, Alfredo Jaar, had visited Utö for a few days and found that the departing ferry left at 5:45 a.m.  When he asked the captain ‘why so early?’ the captain had pointed to a young boy, asleep alone in the passenger seats.  “The school on Utö only goes to a certain age.  We have to get young Markus to Turku by 9:45 a.m.”  Mr. Jaar was profoundly touched.  He wrote to several Finnish writers and artists, requesting letters to Markus, to be posted on islands along the ferry route.

These I have just read translated in a small book as we travel to Åland today.  What then is the value of civilization in a remote place?  What is the value of the social investment in any single child?

Hanna taught us that self-reliance has always been the first principle of Utö but that everyone there knows that no one survives alone.  “Community is hard,” she said as she hugged me good-bye, “but community is our only hope.”

Rakas Markus, dear boy of Utö island, do your best—that’s all anyone can ask.  The wide world beyond that ferry route is vast and complex but in some ways more tightly connected than ever before.  Just do your best—for all of us.

Love, Cody

Cody Douglas Oreck

p. s.  Interesting to reread good old Johnny Donne. . .

No man is an island,

Entire of itself.

Each is a piece of the continent,

A part of the main.

If a clod be washed away by the sea,

Europe is the less.

As well as if a promontory were.

As well as if a manor of thine own

Or of thine friend’s were.

Each man’s death diminishes me,

For I am involved in mankind.

Therefore, send not to know

For whom the bell tolls,

It tolls for thee.


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Thunderbirds add Finland Performance to Storied History


Thunderbirds Flag Unveiling Ceremony

Thunderbirds Flag Unveiling Ceremony

Guest Blogger: Staff Sgt. Jake Richmond, U.S. Air Force Thunderbirds Public Affairs

On both sides of every U.S. Air Force Thunderbirds F-16, there’s a colorful, square panel that displays the flags of all the countries in the world where the team has performed. On Saturday, June 18, the Thunderbirds had the privilege of adding a new flag to the panel.

For the first time in its 58-year history, the Air Force’s premier jet demonstration team performed in the country of Finland. The Thunderbirds headlined “Turku Air Show 2011,” which also featured Finland’s own Midnight Hawks.

After Saturday’s show, the team conducted a brief ceremony to commemorate the historic occasion. Lt. Col. Case Cunningham, Thunderbirds commander and flight leader, and his crew chief, Tech. Sgt. Paul Degrechie, pulled off the old flag panel decal to reveal the new one. Attending the brief ceremony were U.S. Air Forces in Europe Commander Gen. Mark Welsh and U.S. Ambassador to Finland Bruce Oreck, along with other Thunderbirds team members.

“It’s an amazing honor to be the first Thunderbirds team to perform in Finland,” said Colonel Cunningham. “Representing America’s Airmen in other countries around the world is truly a privilege.

“Finland is a great friend to the U.S., and I hope this is just the first of many Thunderbirds performances here.”

That was a sentiment echoed frequently throughout the weekend, by show-goers and event organizers alike.

“I’ve been looking forward to this weekend since last December when the Thunderbirds schedule was released,” said Jyri Mattila, a Finnish F-18 test pilot and one of the show coordinators. “Seeing the Thunderbirds perform in my country and getting the opportunity to work directly with them could be a once-in-a-lifetime experience. They are an amazing team of professionals, both in the air and on the ground.”

The Thunderbirds are about halfway through their six-week 2011 European tour. Before the Finland show, the team performed in Cigli Air Base, Turkey; Constanta, Romania; Jesolo, Italy; and Karup AB, Denmark. Next on the schedule is Graf Ignatievo AB, Bulgaria, followed by shows at Royal Air Force Waddington, United Kingdom, and Koksijde AB, Belgium.

This year marks the Thunderbirds’ 58th season as the Air Force’s “Ambassadors in Blue.” From mid-March until mid-November every year, the team travels around the country and abroad, showcasing the integrity, selfless service and excellence embodied by American Airmen everywhere. Part of the unit’s mission is to represent the U.S. armed forces to foreign countries and project international goodwill.


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